カール・リッター (映画監督)
出典: フリー百科事典『ウィキペディア（Wikipedia）』 (2022/11/04 19:34 UTC 版)
カール・リッター（Karl Ritter、1888年11月7日 - 1977年4月7日）は、ドイツの映画プロデューサー、映画監督で、ナチス・ドイツの多数のプロパガンダ映画を手がけたことで知られる。それ以前には、ドイツにおける最初期の軍用機パイロットのひとりであった。後年は、ほとんどの時間をアルゼンチンで過ごした。
- ^ a b c Rolf Giesen, Nazi Propaganda Films: A History and Filmography, Jefferson, North Carolina/London: McFarland, 2003, ISBN 9780786415564, p. 256.
- ^ a b c d e f g h "Karl Ritter", The Concise Cinegraph: Encyclopaedia of German Cinema, ed. Hans-Michael Bock and Tim Bergfelder, Film Europa 1, New York: Berghahn, 2009, ISBN 9781571816559, p. 399.
- ^ a b c d "Ritter, Karl", Das Grosse Lexikon des Dritten Reiches, ed. Christian Zentner and Friedemann Bedürftig, Munich: Südwest, 1985, ISBN 9783517008349, p. 496 （ドイツ語）
- ^ Adolf Sennewald: Deutsche Buchillustratoren im ersten Drittel des 20. Jahrhunderts. Materialien für Bibliophile. Harrassowitz Verlag, Wiesbaden 1999, ISBN 3-447-04228-1, S. 160 (Google Books)
- ^ a b c d e Hans-Christoph Blumenberg, "Hier spricht der deutsche Mensch: Das Leben geht weiter - Der letzte Durchhaltefilm der Ufa 1944/45 (I)", Der Spiegel, 23 November 1992 （ドイツ語）
- ^ Ernst Klee: Das Kulturlexikon zum Dritten Reich. Wer war was vor und nach 1945. S. Fischer, Frankfurt am Main 2007, S. 489.
- ^ a b c d e f Giesen, p. 257.
- ^ a b c Reiner Rother, "'Stukas'. Zeitnaher Film unter Kriegsbedingungen", in Krieg und Militär im Film des 20. Jahrhunderts, ed. Berhard Chiari, Matthias Rogg and Wolfgang Schmidt, Beiträge zur Militärgeschichte 59, Munich: Oldenbourg, 2003, ISBN 9783486567168, pp. 349–70, p. 350 （ドイツ語）
- ^ David Welch, Propaganda and the German Cinema: 1933–1945, Oxford: Clarendon-Oxford University, 1983, ISBN 9780198225980, p. 256.
- ^ Rother, pp. 351, 352.
- ^ John Altmann, "The Technique and Content of Hitler's War Propaganda Films: Part I: Karl Ritter and His Early Films", Hollywood Quarterly 4.4, Summer 1950, pp. 385–91, pp. 387–88.
- ^ Cited in Giesen, p. 77.
- ^ Cited in John Altmann, "Movies' Role in Hitler's Conquest of German Youth", Hollywood Quarterly 3.4, Summer 1948, pp. 379–86, p. 383, in David Stewart Hull, Film in the Third Reich: A Study of the German Cinema 1933–1945, Berkeley/Los Angeles: University of California, 1969, OCLC 46409, p. 120 and in Harry Waldman, Nazi Films in America, 1933–1942, Jefferson, North Carolina/London: McFarland, 2008, ISBN 9780786438617, p. 166.
- ^ Also see Welch, p. 215, for a statement by Ritter printed in Der deutsche Film in April 1941: "The ultimate purpose of all National Socialist films is to show the test of an individual within the community—for the individual's fate only has meaning when it can be placed at the service of the community".
- ^ Der deutsche Film 1938, cited in translation in John Altmann, "The Technique and Content of Hitler's War Propaganda Films: Part II: Karl Ritter's 'Soldier' Films", Hollywood Quarterly, 5.1, Autumn 1950, pp. 61–72, p. 62.
- ^ Cited in Altman, "Movies' Role", p. 383, Hull, p. 119 and Waldman, p. 166.
- ^ Altmann, "'Soldier' Films", p. 64.
- ^ a b Jay W. Baird, Review, Daniel Gethmann, Das Narvik-Projekt: Film und Krieg, German Studies Review 23 (2000) 164–65, p. 164.
- ^ Hull, p. 189.
- ^ Baird, p. 165.
- ^ a b Rother, p. 349.
- ^ Hilmar Hoffmann, The Triumph of Propaganda: Film and National Socialism, 1933–1945, tr. John A. Broadwin and V. R. Berghahn, Volume 1 Providence, Rhode Island: Berghahn, 1996, ISBN 9781571810663, p. 155: "the most consistent among the compliant [purveyors] of the sophisticated documentary."
- ^ Altmann, "Karl Ritter and His Early Films", p. 386: "[Hitler and Goebbels'] No. 1 film propagandist".
- ^ Altmann, "'Soldier' films", p. 61: "No. 1 film propagandist of the Third Reich".
- ^ a b Biografie auf film-zeit.de, aufgerufen am 15. Oktober 2017
- ^ Hull, p. 269.
- ^ El Paraiso (1953) - IMDb（英語）
- ^ Rother, p. 359: "Er pflegte eine episodische Bauweise".
- ^ Hull, p. 140: "The subject matter ... follows a new pattern which Ritter was to employ in later works, the use of numerous episodes and scenes ... to paint a vast mural of his subject."
- ^ Waldman, p. 166.
- ^ a b Cited in Rother, p. 356: "Ritter eignet sich nicht für feinpsychologische Zeichnung. Er ist mehr für die deftigen Dinge."
- ^ Hull, pp. 118, 140, 188, 219.
- ^ Welch, p. 255.
- ^ Karsten Witte, "Film im Nationalsozialismus", in Geschichte des deutschen Films, ed. Wolfgang Jacobsen, Anton Kaes and Hans Helmut Prinzler, Stuttgart: Metzler, 1993, ISBN 9783476008831: "[drehte] am laufenden Band schlechte Actionfilme", cited in Rother, p. 359.
- ^ Jerzy Toeplitz, tr. Lilli Kaufmann, Geschichte des Films Volume 1 1895-1933, Munich: Rogner & Bernhard bei Zweitausendeins, 1987, ISBN 9783807702230 （ドイツ語）, p. 1201, cited in translation in Giesen, p. 257, and in Klaus Kreimeier, tr. Robert and Rita Kimber, The Ufa Story: A History of Germany's Greatest Film Company, 1918–1945, Berkeley: University of California, 1996, ISBN 9780520220690, p. 280.
- ^ Altmann, "Movies' Role", p. 382, cited in Giesen, p. 257, and Hull, p. 118.
- ^ By the Filmmuseum Berlin: Hanns-Georg Rodek, "Filmgeschichte als Provokation", Die Welt, 26 September 2000 （ドイツ語）
[続きの解説]
「カール・リッター (映画監督)」の続きの解説一覧
- 1 カール・リッター (映画監督)とは
- 2 カール・リッター (映画監督)の概要
- 3 フィルモグラフィ
- 4 関連文献
- 5 外部リンク
- カール・リッター (映画監督)のページへのリンク
