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ウィキペディア

索引トップ用語の索引ランキングカテゴリー

出典: フリー百科事典『ウィキペディア（Wikipedia）』 (2024/06/09 13:21 UTC 版)

文献資料一覧（英語）

Weaver, M. and Hammond, A. "Claude Cahun and Marcel Moore: Surrealist Sisters." History of Photography, Summer 1993, 17 (2), 217.
Laurie J. Monahan, "Radical Transformations: Claude Cahun and the Masquerade of Womanliness". In: Catherine de Zegher (ed.), Inside the Visible, Institute of Contemporary Art, Boston & MIT Press, 1996.
Claude Cahun, Tacinta Dean and Virginia Nimarkoh: Mise-En-Scene: Institute for Contemporary Arts: London: 1996: ISBN 0-905263-59-6
Shelley Rice:Inverted Odysseys: Claude Cahun, Maya Deren and Cindy Sherman: Cambridge: Massachuesetts: MIT Press: 1999: ISBN 0-262-68106-4
Tirza True Latimer, "Narcissus and Narcissus: Claude Cahun and Marcel Moore," in Women Together/Women Apart: Portraits of Lesbian Paris. New Brunswick: Rutgers University Press, 2005. ISBN 0-8135-3595-6
'Playing a Part: The Story of Claude Cahun,' drama documentary film by Lizzie Thynne, Brighton: Sussex University, 2004. Available from l.thynne@sussex.ac.uk.
Louise Downie: Don't Kiss Me: The Art of Claude Cahun and Marcel Moore: London: Aperture: 2006: ISBN 1-85437-679-9
Julie Cole: "Claude Cahun, Marcel Moore and the Collaborative Construction of a Lesbian Subjectivity." In: Norma Broude and Mary D. Garrard (eds.), Reclaiming Female Agency: Feminist Art History after Postmodernism, Berkeley, University of California Press, 2005.
Marcus Williamson: "Claude Cahun at School in England", Lulu, 2011. ISBN 978-1-257-63952-6
Jennifer L. Shaw: Reading Claude Cahun's Disavowals, Ashgate, 2013.
Jennifer L. Shaw, “From Cabanel to Claude Cahun: More Manifestations of Venus” in Venus as Muse: Figurations of the Creative ed. Sebastian Goth, Rodopi, 2015.
Jennifer L. Shaw, “Neonarcissism” in *Nierika* (Mexico City: Universidad Iberoamericana), "La Política Visual del Narcisismo: estudios de casos," Vol. 2, no. 2, May 31, 2013, 19-26.
Jennifer L. Shaw, “Deconstructing Girlhood: Claude Cahun’s ‘Sophie la Symboliste,’ in Working Girls: Women’s Cultural Production During the Interwar Years, ed. Paula Birnbaum and Edwin Mellen Press, 2009.
Jennifer L. Shaw, “Narcissus and the Magic Mirror” in Don’t Kiss Me: The Art of Claude Cahun and Marcel Moore, ed. Louise Downie, Tate Publishing, 2006.
Colvile, Georgiana M.M. "Self-Representation as Symptom: The Case of Claude Cahun." Interfaces: Women, Autobiography, Image, Performance. The University of Michigan Press, Ann Arbor, 2005. p. 263-288.

脚注

注釈

^ La femme dans la Société. I. L'hygiène sociale. Lucie Schwob 名義^[2]。
^ Mise en Scène、「演出」の意。

出典

^ ^a ^b “Claude Cahun – Chronology”. 2016年8月28日閲覧。
^ “Claude Cahun – Bibliography”. 2016年8月28日閲覧。
^ “Claude Cahun (Lucy Schwob) | Object:Photo | MoMA”. www.moma.org. 2019年9月21日閲覧。
^ ^a ^b Colvile, Georgiana M.M. (2005). “Self-Representation as Symposium: The Case of Claude Cahun”. Interfaces: Women, Autobiography, Image, Performance: 265 2016年3月5日閲覧。.
^ ^a ^b Doy, Gen (2007). Claude Cahun: A Sensual Politics of Photography. London/New York: I.B. Tauris. pp. xv-xvi. ISBN 9781845115517
^ Schirmer, Lothar (2001). Women Seeing Women, A Pictorial History of Women's Photography. NY: Norton. p. 208
^ Penelope Rosemont, Surrealist Women 1998, University of Texas Press
^ Katy Deepwell ' Uncanny Resemblances: Restaging Claude Cahun in 'Mise en Scene issue 1 Dec 1996 n.paradoxa: international feminist art journal online pp. 46–51
^ “David Bowie on DavidBowie.com” 2016年1月16日閲覧. "You could call her transgressive or you could call her a cross dressing Man Ray with surrealist tendencies. I find this work really quite mad, in the nicest way. Outside of France and now the UK she has not had the kind of recognition that, as a founding follower, friend and worker of the original surrealist movement, she surely deserves. Meret Oppenheim was not the only one with a short haircut. Nothing could better do this, I thought, than to show her photographs through the digital technology of the 21st century and in a setting that embraces the pastoral sanctuary of her last years."