バールフットとは? わかりやすく解説

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バールフット

出典: フリー百科事典『ウィキペディア(Wikipedia)』 (2024/01/27 03:37 UTC 版)

バールフット(バールフト)はインド中部のマディヤ・プラデーシュ州サトナ地区(英語: Satna districtにある村である。村にあった仏塔の彫刻遺物で良く知られている。一つ一つの彫刻が描いている内容が、ブラーフミー文字で明示されていることが特徴。バールフットの仏塔を寄贈したのは、主にダナブーティ王である。[2][3]


  1. ^ a b Le, Huu Phuoc (2010) (英語). Buddhist Architecture. Grafikol. p. 161. ISBN 9780984404308. https://books.google.com/books?id=9jb364g4BvoC&pg=PA161 
  2. ^ Quintanilla, Sonya Rhie (2007) (英語). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. 11. ISBN 9789004155374. https://books.google.com/books?id=X7Cb8IkZVSMC&pg=PA11 
  3. ^ a b c d e f g h i Le, Huu Phuoc (2010) (英語). Buddhist Architecture. Grafikol. p. 161. ISBN 9780984404308. https://books.google.com/books?id=9jb364g4BvoC&pg=PA161 
  4. ^ Didactic Narration: Jataka Iconography in Dunhuang with a Catalogue of Jataka Representations in China, Alexander Peter Bell, LIT Verlag Münster, 2000 p.18
  5. ^ a b c d Kumar, Ajit (2014). “Bharhut Sculptures and their untenable Sunga Association” (英語). Heritage: Journal of Multidisciplinary Studies in Archaeology 2: 230. https://www.academia.edu/10237709. 
  6. ^ Report Of A Tour In The Central Provinces Vol-ix, Alexander Cunningham, 1879 p.2–4
  7. ^ Buddhist Sanskrit inscription slab from about the 10th century A.D., (?)Bharhut, The British Library, 26 March 2009
  8. ^ Report Of A Tour In The Central Provinces In 1873–74 And 1874–75 Volume Ix, Cunningham, Alexander, 1879, p. 38
  9. ^ Kumar, Ajit (2014). “Bharhut Sculptures and their untenable Sunga Association” (英語). Heritage: Journal of Multidisciplinary Studies in Archaeology 2: 223–241. https://www.academia.edu/10237709. 
  10. ^ Muzio, Ciro Lo (2018). Problems of chronology in Gandharan art. On the relationship between Gandhāran toilet-trays and the early Buddhist art of northern India. Oxford: Archaeopress Archaeology. pp. 123-134. https://archive.org/details/ProblemsOfChronologyInGandharanArt 
  11. ^ Marshall, John (1918). “An Historical and Artistic Description of Sanchi (pp. 7–29)”. A Guide to Sanchi. Calcutta: Superintendent, Government Printing. p. 11. http://www.sdstate.edu/projectsouthasia/loader.cfm?csModule=security/getfile&PageID=875302 2014年9月29日閲覧。 
  12. ^ a b Bharhut Gallery”. INC-ICOM Galleries. Indian National Committee of the International Council of Museums. 2016年3月3日時点のオリジナルよりアーカイブ。2014年9月29日閲覧。
  13. ^ Between the Empires: Society in India 300 BCE to 400 CE by Patrick Olivelle [1]
  14. ^ Salomon, Richard (1998) (英語). Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the other Indo-Aryan Languages. Oxford University Press. p. 141. ISBN 978-0-19-535666-3. https://books.google.com/books?id=XYrG07qQDxkC&pg=PA141 
  15. ^ Luders, H. (1963). CORPUS INSCRIPTIONS INDICARUM VOL II PART II. India Archaeological Society. p. 11. https://archive.org/details/corpusinscriptio014676mbp 
  16. ^ The Stupa of Bharhut, Alexander Cunningham, p.128
  17. ^ a b c Quintanilla, Sonya Rhie (2007) (英語). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. pp. 8–9. ISBN 9789004155374. https://books.google.com/books?id=X7Cb8IkZVSMC&pg=PA8 
  18. ^ a b Quintanilla, Sonya Rhie (2007) (英語). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. 13. ISBN 9789004155374. https://books.google.com/books?id=X7Cb8IkZVSMC&pg=PA13 
  19. ^ a b c d The Diffusion of Classical Art in Antiquity, John Boardman, Princeton University Press, p.115
  20. ^ a b c d e f "These little balusters are of considerable interest, as their sculptured statues are much superior in artistic design and execution to those of the railing pillars. They are further remarkable in having Arian letters engraved on their bases or capitals, a peculiarity which points unmistakably to the employment of Western artists, and which fully accounts for the superiority of their execution. The letters found are p, s, a, and b, of which the first three occur twice. Now, if the same sculptors had been employed on the railings, we might confidently expect to find the same alphabetical letters used as private marks. But the fact is just the reverse, for the whole of the 27 marks found on any portions of the railing are Indian letters. The only conclusion that I can come to from these facts is that the foreign artists who were employed on the sculptures of the gateways were certainly not engaged on any part of the railing. I conclude, therefore, that the Raja of en:Shungas, the donor of the gateways, must have sent his own party of workmen to make them, while the smaller gifts of pillars and rails were executed by the local artists." in The stūpa of Bharhut: a Buddhist monument ornamented with numerous sculptures illustrative of Buddhist legend and history in the third century B. C, by Alexander Cunningham p. 8 (Public Domain)
  21. ^ a b c d The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996, pp. 17–18 Note 3
  22. ^ a b Buddhist Architecture by Huu Phuoc Le p.161
  23. ^ "When these alphabets were first deciphered, scholars gave them different names such as 'Indian-Pali' for Brahmi and 'Arian-Pali' for Kharosthi, but these terms are no longer in use." in Upāsaka, Sī Esa; Mahāvihāra, Nava Nālandā (2002) (英語). History of palæography of Mauryan Brāhmī script. Nava Nālanda Mahāvihāra. p. 6. ISBN 9788188242047. https://books.google.com/books?id=P19jAAAAMAAJ 
  24. ^ "There is evidence of Hellensitic sculptors being in touch with Sanchi and Bharhut" in The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996, p.9
  25. ^ a b c Buddhist Architecture Huu Phuoc Le, Grafikol, 2010 p.149ff
  26. ^ Cunningham, Sir Alexander (1879). The Stûpa of Bharhut: a Buddhist monument ornamented with numerous sculptures illustrative of Buddhist legend and history in the third century B.C.. London: W. H. Allen 
  27. ^ Early Buddhist Narrative Art by Patricia Eichenbaum Karetzky p.16
  28. ^ Early Byzantine Churches in Macedonia & Southern Serbia by R.F. Hoddinott p.17
  29. ^ The East: Buddhists, Hindus and the Sons of Heaven, Architecture in context II, Routledge, 2015, by Christopher Tadgell p.24
  30. ^ India Archaeological Report, Cunningham, p185-196
  31. ^ Age of the Nandas and Mauryas by Kallidaikurichi Aiyah Nilakanta Sastri p.376 sq
  32. ^ General view of remains of Buddhist temple of later date than the Stupa, Bharhut”. Online Gallery. British Library. 2014年9月29日閲覧。
  33. ^ Photograph of a slab with a Buddhist sanskrit inscription”. Online Gallery. British Library. 2014年9月29日閲覧。
  34. ^ Freer/Sackler
  35. ^ The Art of Buddhism”. The en:Freer Gallery of Art and en:Arthur M. Sackler Gallery. Smithsonian Institution (2008年). 2014年9月29日閲覧。
  36. ^ a b "The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p.112
  37. ^ a b Luders, H.; Waldschmidt, E.; Mehendale, M. A., eds (1963). “Bharhut Inscriptions”. Corpus Inscriptionum Indicarum. II. en:Ootacamund: en:Archaeological Survey of India 
  38. ^ "There is evidence of Hellenesitic sculptors being in touch with Sanchi and Bharhut" in The Buddha Image: Its Origin and Development, Yuvraj Krishan, Bharatiya Vidya Bhavan, 1996, p.9
  39. ^ a b Mahâbodhi, Cunningham p.4ff Public Domain text
  40. ^ Intercourse Between India and the Western World: From the Earliest Times to the Fall of Rome, H. G. Rawlinson Uppal Publishing House, 1992, p.142
  41. ^ The Shape of Ancient Thought, Mc Evilley, Allworth Press, 2001, p.391
  42. ^ A Guide to Sanchi, John Marshall p.50ff Public Domain text
  43. ^ 【注:このrefはいずれノートに記述し直すための覚書です】"元記事(英文)の出典とされるカニンガムの著書には、この文はなく、英訳も発言者の取り方がおかしいため、南伝大蔵経第4巻律蔵273ページパーリ三蔵の律蔵第2巻、犍度、小品、164ページ((C) Copyright the Pali Text Society and the Dhammakaya Foundation, 2015, CC BY-SA)を参考にして 書き換えた。"
  44. ^ Mahâbodhi, Cunningham p.84ff Public Domain text
  45. ^ Banyan Deer Birth-story, #12 in the E.B. Cowell Jātaka stories, Volume 1
  46. ^ The Jataka, Volume I: Book I.--Ekanipāta: No. 12. Nigrodhamiga-Jātaka”. 2023年8月31日閲覧。
  47. ^ The Illustrated Jataka & Other Stories of the Buddha by C.B. Varma The Story of the Dumb Prince Archived 2017-10-29 at the Wayback Machine.
  48. ^ Triratnaの間違い?|訳注
  49. ^ Faces of Power: Alexander's Image and Hellenistic Politics by Andrew Stewart p.180
  50. ^ The Stupa of Bharhut, Cunningham, p.136 [2]
  51. ^ "The Goddess Lakshmi in Buddhist Art: The goddess of abundance and fortune, Sri Lakshmi, reflected the accumulated wealth and financial independence of the Buddhist monasteries. Her image became one of the popular visual themes carved on their monuments" in Images of Indian Goddesses: Myths, Meanings, and Models, Madhu Bazaz Wangu, Abhinav Publications, 2003, p. 57 [3]
  52. ^ a b c Alexander Cunningham, Great Britain India Office (1879) (英語). The Stûpa of Bharhut: A Buddhist Monument Ornamented with Numerous .... W.H. Allen and Co.. p. [4]. https://archive.org/details/stpabharhutabud00offigoog 
  53. ^ a b Johnston, William M. (2013) (英語). Encyclopedia of Monasticism. Routledge. p. 643. ISBN 978-1-136-78716-4. https://books.google.com/books?id=iepJAgAAQBAJ&pg=PA643 
  54. ^ Buddhist stupas of Gupta period unearthed, Indian Express, June 17, 1999
  55. ^ The Statesman, New Delhi, 17/06/99
  56. ^ Madhya Pradesh: Swastika-shaped 6th century Stupas found, TOI April 1, 2019
  57. ^ Buddha Stolen from Bilhari in Central India, November 30, 2012
  58. ^ Y.K. Malaiya, “Research Notes,” Anekanta, Vol. 24, No. 5, November 1971, pp. 213-214
  59. ^ Ancient Buddha Vihar, Devgarh
  60. ^ An inscribed Buddha image at Khajuraho, Devangana Desai, Journal of the Asiatic Society of Mumbai, Volume 79, p. 63
  61. ^ Six Sculptures from Mahoba. BY. K. N. DIKSHIT, New Delhi, 1921





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