ピエタ (ティツィアーノ)
出典: フリー百科事典『ウィキペディア(Wikipedia)』 (2023/11/09 00:34 UTC 版)
外部リンク
- アカデミア美術館公式サイト、ティツィアーノ『ピエタ』 (英語)
- Khan Academy video on the painting
- ウィキメディア・コモンズには、ピエタ (ティツィアーノ)に関するカテゴリがあります。
- ^ a b c d e f g h i j k l m n o p q r s 前川誠郎・クリスティアン・ホルニッヒ・森田義之 1984年、94項。
- ^ a b c d e f g h i j k l m n o p q r s “Pietà”. アカデミア美術館 (ヴェネツィア)公式サイト(英語). 2023年10月6日閲覧。
- ^ Steer, 144; Jaffé, 27–28, 151–153, 164, 166, 172, 178
- ^ Jaffé, 153; Rosand, 59
- ^ a b Accademia, 180
- ^ Jaffé, 153; Rosand, 58–59
- ^ Steer, 138–144
- ^ Steer, 144 quoted; Jaffé, 59
- ^ Jaffé, 153; Hale, 704–705, 720–721
- ^ a b c Hale, 721
- ^ Nichols, 8. In reality, they would seem to be more hindrance than help to the structural strength of the niche. Titian's playing fast and loose with the classical architectural vocabulary is shown by the set of guttae beneath the central stone, a breach of architectural etiquette otherwise not encountered until the 19th century.
- ^ Nichols, 7; Joseph of Arimathea has been proposed, but he is described as wealthy in the gospels, which does not fit his dress here. Rosand, 60
- ^ Jaffé, 158; Hale, 722; Nichols, 8; Rosand, 60–61
- ^ a b Rosand, 61
- ^ Nichols, 7 thinks the latter
- ^ Rosand, 60; Hale, 721–722; Accademia, 180. Jaffé, 153 identifies the figure as Saint Helena, which would be plausible if there were not an inscription.
- ^ Rosand, 60; Hale, 721 (not very accurately)
- ^ Hale, 722; Rosand, 60
- ^ Hale, 708–723; Nichols, 8
- ^ Hale, 722
- ^ Hale, 704
- ^ Hale, 3, 14–15
- ^ Hale, 691–693, 705
- ^ Hale, 705; Rosand, 57
- ^ Hale, 722–723
- ^ Nichols, 11; Late Titian and the sensuality of painting, 310 for church dates.
- ^ photo; the Pietà copy at top left.
- ^ Rosand, 60–61; Nichols, 10–11
- ^ Nichols, 7
- ^ Nichols, 9; Rosand, 60
- ^ Nichols, 9 quoted; Rosand, 60–61
- ^ Quoted by Rosand, 60
- ^ Rosand, 59; Nichols, 7–8; Accademia, 89 for the painting
- ^ Freedberg, 518
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