オセールのレミギウス
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参考文献
- Atkinson, Charles M., “Martianus Capella 935 and its Carolingian Commentaries,” Journal of Musicology, Vol. 17, No. 4(1999, 2001), pp. 498–519.
- Dox, Donnalee, “The Eyes of the Body and the Veil of Faith,” Theatre Journal, Vol. 56, No. 1, (March 2004), pp. 29–45.
- Esposito, M., “A Ninth-Century Commentary on Donatus,” The Classical Quarterly, Vol. 11, No. 2 (April 1917), pp. 94–97.
- Fassler, Margot E., “Accent, Meter, and Rhythm in Medieval Treatises ‘De rithmis,’” The Journal of Musicology, Vol. 5, No. 2, (Spring 1987), pp. 164-190.
- Gibson, Margaret T., “Boethius in the Carolingian Schools,” Transactions of the Royal Historical Society, Fifth Series, Vol. 32, (1982), pp 43–56.
- Kaczynski, Bernice M., Greek in the Carolingian Age: The St. Gall Manuscripts, (Cambridge, Massachusetts: The Medieval Academy of America, 1988), 164 pages.
- Lutz, Cora E., ed. Remigii Autissiodorensis commentum in Martianum Capellam, (Leiden: E.J. Brill, 1962), 219 pages.
- Marenbon, John, Early Medieval Philosophy (480-1150): An Introduction, (London: Routledge with Kegan Paul, 1983), 190 pages.
- Marenbon, John, From the Circle of Alcuin to the School of Auxerre: Logic, Theology, and Philosophy in the Early Middle Ages,(Cambridge: Cambridge University Press, 1981), 219 pages.
- Marenbon, John, Medieval Philosophy: An Historical and Philosophical Introduction, (London: Routledge with the Taylor & Francis Group, 2007), 449 pages.
- Rand, E. K., “How Much of the Annotationes in Marcianum is the Work of John the Scot?,” Transactions and Proceedings of the American Philological Association, Vol. 71, (1940), pp. 501–523.
- Stahl, William H., “To a Better Understanding of Martianus Capella,” Speculum, Vol. 40, No. 1 (Jan. 1965) pp. 102–115.
- Trompf, G. W., “The Concept of the Carolingian Renaissance,” Journal of the History of Ideas, Vol. 34, No. 1 (Jan-March 1973), pp. 3–26.
- Van Doren, Charles, A History of Knowledge: The Pivotal Events, People, and Achievements of World History, (New York: Ballantine Books, 1991), 422 pages.
- Wright, Craig, Music and Ceremony at Notre Dame of Paris: 500-1550, (Cambridge: Cambridge University Press, 1989), 400 pages.
この記事にはパブリックドメインである次の百科事典本文を含む: Herbermann, Charles, ed. (1913). "Remigius of Auxerre". Catholic Encyclopedia. New York: Robert Appleton Company.
- ^ "Un commento del commento", according to C. Marchese, "Gli scoliasti di Persico" Rivita di Filologia39-40 (1911-12), noted by J. P. Elder, "A Mediaeval Cornutus on Persius" Speculum 22.2 (April 1947, pp. 240-248), p 240, note; 243f.
- ^ Cora E. Lutz, ed. Remigii Autissiodorensis commentum in Martianum Capellam, (Leiden: E.J. Brill, 1962), p. 1.
- ^
Herbermann, Charles, ed. (1913). "Remigius of Auxerre". Catholic Encyclopedia. New York: Robert Appleton Company.
- ^ Margaret T. Gibson, “Boethius in the Carolingian Schools,” Transactions of the Royal Historical Society, Fifth Series, Vol. 32, (1982), p. 48.
- ^ J. P. Elder, "A Mediaeval Cornutus on Persius" Speculum 22.2 (April 1947, pp. 240-248), pp 243f.
- ^ John Marenbon, Early Medieval Philosophy (480-1150): An Introduction, (London: Routledge with Kegan Paul, 1983), p. 86.
- ^ M. Esposito, “A Ninth-Century Commentary on Donatus,” The Classical Quarterly, Vol. 11, No. 2 (April 1917), p. 97.
- ^ Lutz, 1.
- ^ Lutz 1
- ^ a b c Marenbon, Early Medieval, 78.
- ^ He also investigated the problem of the origin of the universe and in his commentary on Martianus Capella gave a Christian interpretation to the passages in which Martianus Capella speaks of the invisible world of Platonic ideas. From the Catholic Encyclopedia, 1913.
- ^ M. Esposito, "A Ninth-Century Commentary on Phocas" The Classical Quarterly 13.3/4 (July 1919), pp. 166-169.
- ^ Lutz, 18, 24.
- ^ Lutz, 6.
- ^ John Marenbon, From the Circle of Alcuin to the School of Auxerre: Logic, Theology, and Philosophy in the Early Middle Ages, (Cambridge: Cambridge University Press, 1981), p. 4.
- ^ Donnalee Dox, “The Eyes of the Body and the Veil of Faith,” Theatre Journal, Vol. 56, No. 1, (March 2004), p. 16.
- ^ Gibson, 55.
- ^ Margot E. Fassler, “Accent, Meter, and Rhythm in Medieval Treatises ‘De rithmis,’” The Journal of Musicology, Vol. 5, No. 2, (Spring 1987), p. 164.
- ^ Fassler, 174.
- ^ Craig Wright, Music and Ceremony at Notre Dame of Paris: 500-1550, (Cambridge: Cambridge University Press, 1989), pp. 60-65.
- ^ G. W. Trompf, “The Concept of the Carolingian Renaissance,” Journal of the History of Ideas, Vol. 34, No. 1 (Jan-March 1973), pp. 3-26.
- ^ Charles Van Doren, A History of Knowledge: The Pivotal Events, People, and Achievements of World History, (New York: Ballantine Books, 1991), p. 105.
- ^ Gibson, 56.
- ^ William H. Stahl, “To a Better Understanding of Martianus Capella,” Speculum, Vol. 40, No. 1 (Jan. 1965) p. 108.
- ^ Marenbon, Alcuin 10.
- ^ E. K. Rand, “How Much of the Annotationes in Marcianum is the Work of John the Scot?,” Transactions and Proceedings of the American Philological Association, Vol. 71, (1940), p. 516.
- ^ Rand, 516.
- ^ Lutz, 17.
- ^ Marenbon, Alcuin, 119.
- ^ Marenbon, Alcuin, 10.
- ^ Lutz, 22.
- ^ Charles M. Atkinson, “Martianus Capella 935 and its Carolingian Commentaries,” Journal of Musicology, Vol. 17, No. 4, (1999, 2001), p. 515.
- ^ Bernice M. Kaczynski, Greek in the Carolingian Age: The St. Gall Manuscripts, (Cambridge, Massachusetts: The Medieval Academy of America, 1988), pp. 43, 49, 56.
- ^ Gibson, 48.
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