ナイジェリアの音楽
出典: フリー百科事典『ウィキペディア（Wikipedia）』 (2023/01/28 02:28 UTC 版)
ナイジェリアの音楽（ナイジェリアのおんがく、英: Music of Nigeria）には多くの種類の民族音楽やポピュラー音楽が含まれ、民族音楽のスタイルは国内の多数の民族グループに関連し、それぞれ独自のテクニック、楽器、歌を持っている音楽。
- ^ Karolyi, pg. 4
- ^ Titon. P. 70
- ^ Graham, pg. 589 Graham describes both the receptivity of the Igbo to foreign influences, as well as the use of the obo
- ^ a b c d e f g h i Graham
- ^ “The Orchestra in the African Context”. Africanchorus.org. 2012年10月29日時点のオリジナルよりアーカイブ。2010年3月26日閲覧。
- ^ Graham, pg. 589 Graham claims the source of the Brazilian influence was the influential Brazilian merchant community of the early 19th century.
- ^ Sylvanus, Emaeyak Peter (18 June 2018). “A Brief History of TV and TV Music Practice in Nigeria”. Muziki: Journal of Music Research in Africa 15 (1): 37–38.
- ^ a b c Sylvanus, Emaeyak Peter (2019). “Prefiguring as an Indigenous Narrative Tool in Nigerian Cinema: An Ethnomusicological Reading”. Ethnomusicology 63 (2): 164.
- ^ Sylvanus, Emaeyak Peter (2019). “Prefiguring as an Indigenous Narrative Tool in Nigerian Cinema: An Ethnomusicological Reading”. Ethnomusicology 63 (2): 168.
- ^ “Afropop Nigeria”. Afropop.org. 2010年6月16日時点のオリジナルよりアーカイブ。2010年3月26日閲覧。
- ^ a b c d “Afropop Juju”. Afropop.org. 2008年6月25日時点のオリジナルよりアーカイブ。2010年3月26日閲覧。
- ^ Graham, pg. 590 Graham claims that the word juju was a mild expression of colonial disparagement — musical mumbo jumbo — taken up by jùjú musicians themselves to subvert it. And jojo also happens to be Yoruba for dance.
- ^ Falola, Toyin (2001). Culture and customs of Nigeria. Greenwood Publishing Group. p. 173. ISBN 0-313-31338-5
- ^ Afropop: Apala Afropop cites this claim as (m)usicologist Chris Waterman suggests that the influence of Afro-Cuban percussion recordings was also formative in refining the music's presentation, although not its rhythms and forms. Afropop further specifies that, though the other instruments mentioned are common throughout Nigerian popular music, the use of the agidigbo is unusual and peculiar to apala
- ^ Graham, pgs. 596–597 Graham explains the importance of both Benson and Lawson. Referring to "Sweet Mother, Graham explains: (b)ut it is an infectious song and its potent appeal was concocted from Mbarga's use of pidgin English (broadening his audience enormously) and a style he called panko — for the first time incorporating sophisticated rumba guitar-phrasing into the highlife idiom.
- ^ Graham, pg. 593 Graham does not cite a specific source for the claim by Sikiru Barrister
- ^ Arab World Information, "Popular Fuji Music of Nigeria"
- ^ Graham, pg. 593 Graham does not cite a specific source beyond Ebenezer Obey, and explains that fuji is only sometimes glibly described as jùjú music without guitars
- ^ Afropop: Fuji Ayinde Barrister, who remains on the leading edge, started out in 1965 singing were music used to rouse Muslims early in the morning during the holy season of Ramadan. He went on to mix in aspects of apala percussion and vocal songs and brooding, philosophical sakara music and emerged with a new style of music he dubbed fuji.
- ^ Afropop: Apala Afropop cites this claim as typically considered the most important precursor of fuji
- ^ “Afropop Fuji”. Afropop.org. 2008年6月25日時点のオリジナルよりアーカイブ。2010年3月26日閲覧。
- ^ Graham, pgs. 591–592 Graham discusses at length the rivalry between Ade and Obey that spurred so much innovation
- ^ Graham, pgs. 592–593 Graham describes the origins of Peters' Afro-juju, the importance of Afro-Juju Series 1, the term Shinamania and the critical and commercial performance of Shinamania
- ^ Afropop: Juju Afropop refers to the time period for funky juju as around the same time as 1989 or 1990
- ^ “Tony Allen: An Autobiography of the Master Drummer of Afrobeat”. Duke University Press. 2022年4月12日閲覧。
- ^ Graham, pg. 595 Graham is the source for the "vagina" quote, as well as the details of Kuti's career and the significance of his death
- ^ Anikulapo. “Femi And Seun Kuti Keep Their Father's Rebellious Beat”. NPR. 2022年4月18日閲覧。
- ^ Majek Fashek | Biography | AllMusic. (n.d.). AllMusic. Retrieved 13 October 2014, from http://www.allmusic.com/artist/majek-fashek-mn0000236645/biography
- ^ Osiebe. “From Nigeria to the world: Afrobeats is having a global moment” (英語). The Conversation. 2022年7月26日閲覧。
- ^ “Grammy Awards 2021: Nigerian music sensation Burna Boy wins global award” (英語). Africa Renewal. (2021年3月25日) 2022年7月26日閲覧。
- ^ a b Udugba (2022年6月27日). “‘Essence' and Tems win big at BET Awards 2022” (英語). Businessday NG. 2022年7月26日閲覧。
- ^ Kaduna (2022年6月27日). “BET Awards 2022: Tems makes history with ‘Best International Act’ triumph - Premium Times Nigeria” (英語). 2022年7月26日閲覧。
- ^ “Fans celebrate as Wizkid sells out O2 Arena tickets in two minutes” (英語). Punch Newspapers (2021年9月3日). 2022年7月26日閲覧。
- ^ "Nigeria's women bandleaders". Music in Africa. (20 February 2015). Music in Africa. Retrieved 20 February 2015
- ^ "Top 7 queens of the Nigerian music industry". Vanguard News. (5 November 2011). Vanguard News. Retrieved 13 October 2014
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