ネオ・リーマン理論
出典: フリー百科事典『ウィキペディア(Wikipedia)』 (2023/11/13 14:58 UTC 版)
ネオ・リーマン理論(Neo-Riemannian theory)は、デビッド・レヴィン、ブライアン・ハイアー、リチャード・コーン、ヘンリー・クランペンハウアーなどの音楽理論家の著作に存在する、おおまかな観念の集まりである。これらの観念を結びつけるものは、主音(tonic)への言及を必ずしも必要とせずに、和声を関連付ける上で中心となる取り組みである。
注釈
出典
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- ^ Jacob Collier discusses Negative Harmony and How To Learn Music - YouTube. 2021年4月28日閲覧。
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- ^ a b Cohn, Richard (March 1996). “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions”. Music Analysis 15 (1): 9–40. doi:10.2307/854168. JSTOR 854168 .
- ^ a b c Tymoczko, Dmitri (27 November 2008). “Scale Theory, Serial Theory, and Voice Leading”. Music Analysis 27 (1): 1–49. doi:10.1111/j.1468-2249.2008.00257.x .
- ^ a b c Tymoczko, Dmitri (2009). “Three Conceptions of Musical Distance”. In Chew, Elaine. Mathematics and Computation in Music. Communications in Computer and Information Science. 38. Heidelberg: Springer. pp. 258–273. ISBN 978-3-642-02394-1
- ^ Dmitri Tymoczko (2010). MTO 16.1: Tymoczko, Geometrical Methods. Society for Music Theory .
- ^ Callender, Clifton (2004). “Continuous Transformations”. Music Theory Online 10 (3).
- ^ Tymoczko, Dmitri (2006). “The Geometry of Musical Chords”. Science 313 (5783): 72–74. doi:10.1126/science.1126287. PMID 16825563 .
- ^ Callender, Clifton; Quinn, Ian; Tymoczko, Dmitri (18 Apr 2008). “Generalized Voice Leading Spaces”. Science 320 (5874): 346–348. doi:10.1126/science.1153021. PMID 18420928 .
- ^ Baroin, Gilles (2011). Agon, C. (ed.). Mathematics and Computation in Music. MCM 2011. Lecture Notes in Computer Science (英語). Vol. 6726. Berlin, Heidelberg: Springer. pp. 326–329. doi:10.1007/978-3-642-21590-2_25. ISBN 9783642215896。
- ^ Amiot, Emmanuel (2013). Yust, J. (ed.). Mathematics and Computation in Music. MCM 2013. Lecture Notes in Computer Science (英語). Vol. 7937. Berlin, Heidelberg: Springer Berlin Heidelberg. pp. 1–18. doi:10.1007/978-3-642-39357-0_1. ISBN 9783642393563。
- ^ Yust, Jason (May 2015). “Schubert's Harmonic Language and Fourier Phase Space”. Journal of Music Theory 59 (1): 121–181. doi:10.1215/00222909-2863409 .
- ^ Douthett, Jack; Steinbach, Peter (1998). “Parsimonious Graphs: A Study in Parsimony, Contextual Transformation, and Modes of Limited Transposition”. Journal of Music Theory 42 (2): 241–263. doi:10.2307/843877. JSTOR 843877 .
- ^ Callender, Clifton (1998). Voice-Leading Parsimony in the Music of Alexander Scriabin. 42. Journal of Music Theory. pp. 219–233 .
- ^ Siciliano, Michael (2005). Toggling Cycles, Hexatonic Systems, and Some Analysis of Early Atonal Music. 27. Music Theory Specturm. pp. 221–247 .
- ^ Tymoczko, Dmitri.
- ^ Hook, Julian, "Uniform Triadic Transformations", Journal of Music Theory 46/1–2 (2002), 57–126
- ^ Hook, Julian, "Cross-Type Transformations and the Path Consistency Condition", Music Theory Spectrum (2007)
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