音楽選好の心理学とは？ わかりやすく解説

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音楽選好の心理学

出典: フリー百科事典『ウィキペディア（Wikipedia）』 (2023/05/24 02:15 UTC 版)

音楽選好の心理学（おんがくせんこうのしんりがく）は、人それぞれの音楽選好の背後にある心理学的要因を扱う。音楽は世界中で日々聴かれている。それは自己表現の方法であると同時に、感情調節や認知発達といった様々な面で人々に影響を与えている[1]。音楽の訓練が知能発達を促進することが示されているが、感情調節にどのように影響するかとの関係は分かっていない[2]。個人の性格が音楽選好に影響を与え得ることを示す多くの研究が行われ、そのほとんどにはビッグファイブが用いられていた。これらの研究は西側諸国やアメリカの文化に限らず、日本[3]、ドイツ[4]、スペイン[5]を含む世界中の国々に重大な結果をもたらした。


出典
  1. ^ Rentfrow, Peter J. (May 2012). “The role of music in everyday life: Current directions in the social psychology of music”. Social and Personality Psychology Compass 6 (5): 402–416. doi:10.1111/j.1751-9004.2012.00434.x. 
  2. ^ Schellenberg, Glen E.; Mankarious, Monika (October 2012). “Music training and emotion comprehension in childhood”. Emotion 12 (5): 887–891. doi:10.1037/a0027971. PMID 22642351. 
  3. ^ Brown, R.A. (1 November 2012). “Music preferences and personality among Japanese university students”. International Journal of Psychology 47 (4): 259–268. doi:10.1080/00207594.2011.631544. PMID 22248342. 
  4. ^ Langmeyer, Alexandra; Guglhör-Rudan, Angelika & Tarnai, Christian (October 2012). “What do music preferences reveal about personality: a cross-cultural replication using self-ratings and ratings of music samples”. Journal of Individual Differences 33 (2): 119–130. doi:10.1027/1614-0001/a000082. 
  5. ^ Chamorro-Premuzic, Tomas; Gomà-i-Freixanet, Montserrat, Furnham, Adrian & Muro, Anna (August 2009). “Personality, self-estimated intelligence, and uses of music: A Spanish replication and extension using structural equation modeling”. Psychology of Aesthetics, Creativity, and the Arts 3 (3): 149–155. doi:10.1037/a0015342. 
  6. ^ a b Schäfer, Thomas; Mehlhorn, Claudia (29 April 2017). “Can personality traits predict musical style preferences? A meta-analysis”. Personality and Individual Differences 116: 265–273. doi:10.1016/j.paid.2017.04.061. https://www.sciencedirect.com/science/article/abs/pii/S0191886917303215. 
  7. ^ a b c Anderson, Ian; Gil, Santiago; Gibson, Clay; Wolf, Scott; Shapiro, Will; Semerci, Oguz; Greenberg, David M. (May 2021). ““Just the Way You Are”: Linking Music Listening on Spotify and Personality” (英語). Social Psychological and Personality Science 12 (4): 561–572. doi:10.1177/1948550620923228. ISSN 1948-5506. http://journals.sagepub.com/doi/10.1177/1948550620923228. 
  8. ^ a b Brisson, Romain; Bianchi, Renzo (2020). “On the relevance of music genre-based analysis in research on musical tastes”. Psychology of Music 48 (6): 777–794. doi:10.1177/0305735619828810. https://doi.org/10.1177/0305735619828810. 
  9. ^ a b Bonneville-Roussy, Arielle; Rentfrow, Peter J.; Xu, Man K.; Potter, Jeff (2013). “Music through the ages: Trends in musical engagement and preferences from adolescence through middle adulthood.” (英語). Journal of Personality and Social Psychology 105 (4): 703–717. doi:10.1037/a0033770. PMID 23895269. 
  10. ^ Zweigenhaft, Richard L. (1 January 2008). “A Do Re Mi Encore”. Journal of Individual Differences 29 (1): 45–55. doi:10.1027/1614-0001.29.1.45. 
  11. ^ Chamorro-Premuzic, Tomas; Fagan, Patrick; Furnham, Adrian (1 January 2010). “Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social.”. Psychology of Aesthetics, Creativity, and the Arts 4 (4): 205–213. doi:10.1037/a0019210. 
  12. ^ Chamorro-Premuzic, Tomas; Swami, Viren; Furnham, Adrian; Maakip, Ismail (1 January 2009). “The Big Five Personality Traits and Uses of Music”. Journal of Individual Differences 30 (1): 20–27. doi:10.1027/1614-0001.30.1.20. 
  13. ^ Kopacz, Malgorzata (2005). “Personality and music preferences: The influence of personality traits on preferences regarding musical elements”. Journal of Music Therapy 42 (3): 216–239. doi:10.1093/jmt/42.3.216. PMID 16086606. 
  14. ^ Rentfrow, Peter J.; Gosling, Samuel D. (1 January 2003). “The do re mi's of everyday life: The structure and personality correlates of music preferences.”. Journal of Personality and Social Psychology 84 (6): 1236–1256. doi:10.1037/0022-3514.84.6.1236. PMID 12793587. https://semanticscholar.org/paper/136453addebb04b046e06a524c19fa4e891ea7ae. 
  15. ^ Langmeyer, Alexandra; Guglhör-Rudan, Angelika; Tarnai, Christian (2012-01). “What Do Music Preferences Reveal About Personality?: A Cross-Cultural Replication Using Self-Ratings and Ratings of Music Samples” (英語). Journal of Individual Differences 33 (2): 119–130. doi:10.1027/1614-0001/a000082. ISSN 1614-0001. https://econtent.hogrefe.com/doi/10.1027/1614-0001/a000082. 
  16. ^ Chamorro-Premuzic, Tomas; Gomà-i-Freixanet, Montserrat; Furnham, Adrian; Muro, Anna (2009-08). “Personality, self-estimated intelligence, and uses of music: A Spanish replication and extension using structural equation modeling.” (英語). Psychology of Aesthetics, Creativity, and the Arts 3 (3): 149–155. doi:10.1037/a0015342. ISSN 1931-390X. http://doi.apa.org/getdoi.cfm?doi=10.1037/a0015342. 
  17. ^ Ladinig, Olivia; Schellenberg, E. Glenn (1 January 2012). “Liking unfamiliar music: Effects of felt emotion and individual differences.”. Psychology of Aesthetics, Creativity, and the Arts 6 (2): 146–154. doi:10.1037/a0024671. https://semanticscholar.org/paper/4cc4359180d521fc1022b809f3fcdf13ec6fc814. 
  18. ^ Tekman, Hasan Gürkan; Hortaçsu, Nuran (1 October 2002). “Music and social identity: Stylistic identification as a response to musical style”. International Journal of Psychology 37 (5): 277–285. doi:10.1080/00207590244000043. 
  19. ^ Vuoskoski, Jonna K.; Thompson, William F.; McIlwain, Doris; Eerola, Tuomas (2012-02-01). “Who Enjoys Listening to Sad Music and Why?” (英語). Music Perception 29 (3): 311–317. doi:10.1525/mp.2012.29.3.311. ISSN 0730-7829. https://online.ucpress.edu/mp/article/29/3/311/62540/Who-Enjoys-Listening-to-Sad-Music-and-Why. 
  20. ^ Miranda, Dave; Morizot, Julien; Gaudreau, Patrick (27 March 2012). “Personality Metatraits and Music Preferences in Adolescence: A Pilot Study”. International Journal of Adolescence and Youth 15 (4): 289–301. doi:10.1080/02673843.2010.9748036. 
  21. ^ Vuoskoski, Jonna K.; Eerola, Tuomas (13 July 2011). “Measuring music-induced emotion: A comparison of emotion models, personality biases, and intensity of experiences”. Musicae Scientiae 15 (2): 159–173. doi:10.1177/1029864911403367. 
  22. ^ a b c d e f g Chamorro-Premuzic, Tomas; Swami, Viren; Furnham, Adrian; Maakip, Ismail (1 January 2009). “The Big Five Personality Traits and Uses of Music”. Journal of Individual Differences 30 (1): 20–27. doi:10.1027/1614-0001.30.1.20. 
  23. ^ a b c Zweigenhaft, Richard L. (1 January 2008). “A Do Re Mi Encore”. Journal of Individual Differences 29 (1): 45–55. doi:10.1027/1614-0001.29.1.45. 
  24. ^ a b Chamorro-Premuzic, Tomas; Gomà-i-Freixanet, Montserrat; Furnham, Adrian; Muro, Anna (1 January 2009). “Personality, self-estimated intelligence, and uses of music: A Spanish replication and extension using structural equation modeling.”. Psychology of Aesthetics, Creativity, and the Arts 3 (3): 149–155. doi:10.1037/a0015342. 
  25. ^ a b c d e f Chamorro-Premuzic, Tomas; Fagan, Patrick; Furnham, Adrian (1 January 2010). “Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social.”. Psychology of Aesthetics, Creativity, and the Arts 4 (4): 205–213. doi:10.1037/a0019210. 
  26. ^ a b c Kopacz, Malgorzata (2005). “Personality and music preferences: The influence of personality traits on preferences regarding musical elements”. Journal of Music Therapy 42 (3): 216–239. doi:10.1093/jmt/42.3.216. 
  27. ^ a b c d e f g Langmeyer, Alexandra; Guglhör-Rudan, Angelika; Tarnai, Christian (1 January 2012). “What Do Music Preferences Reveal About Personality?”. Journal of Individual Differences 33 (2): 119–130. doi:10.1027/1614-0001/a000082. 
  28. ^ a b c Rentfrow, Peter J.; Gosling, Samuel D. (1 January 2003). “The do re mi's of everyday life: The structure and personality correlates of music preferences.”. Journal of Personality and Social Psychology 84 (6): 1236–1256. doi:10.1037/0022-3514.84.6.1236. PMID 12793587. 
  29. ^ a b Ladinig, Olivia; Schellenberg, E. Glenn (1 January 2012). “Liking unfamiliar music: Effects of felt emotion and individual differences.”. Psychology of Aesthetics, Creativity, and the Arts 6 (2): 146–154. doi:10.1037/a0024671. 
  30. ^ Tekman, Hasan Gürkan; Hortaçsu, Nuran (1 October 2002). “Music and social identity: Stylistic identification as a response to musical style”. International Journal of Psychology 37 (5): 277–285. doi:10.1080/00207590244000043. 
  31. ^ a b Vuoskoski, Jonna K.; Thompson, William F. (1 February 2012). “Who Enjoys Listening to Sad Music and Why?”. Music Perception: An Interdisciplinary Journal 29 (3): 311–317. doi:10.1525/MP.2012.29.3.311. 
  32. ^ Miranda, Dave; Morizot, Julien & Gaudreau, Patrick (27 March 2012). “Personality Metatraits and Music Preferences in Adolescence: A Pilot Study”. International Journal of Adolescence and Youth 15 (4): 289–301. doi:10.1080/02673843.2010.9748036. 
  33. ^ a b Vuoskoski, Jonna K.; Eerola, Tuomas (13 July 2011). “Measuring music-induced emotion: A comparison of emotion models, personality biases, and intensity of experiences”. Musicae Scientiae 15 (2): 159–173. doi:10.1177/1029864911403367. 
  34. ^ a b Nusbaum, E. C.; Silvia, P. J. (7 October 2010). “Shivers and Timbres: Personality and the Experience of Chills From Music”. Social Psychological and Personality Science 2 (2): 199–204. doi:10.1177/1948550610386810. 
  35. ^ Dunn, Peter G.; de Ruyter, Boris & Bouwhuis, Don G. (16 March 2011). “Toward a better understanding of the relation between music preference, listening behavior, and personality”. Psychology of Music 40 (4): 411–428. doi:10.1177/0305735610388897. 
  36. ^ Rentfrow, Peter J.; Goldberg, Lewis R.; Levitin, Daniel J. (1 January 2011). “The structure of musical preferences: A five-factor model.”. Journal of Personality and Social Psychology 100 (6): 1139–1157. doi:10.1037/a0022406. 
  37. ^ a b Brown, R. A. (1 August 2012). “Music preferences and personality among Japanese university students”. International Journal of Psychology 47 (4): 259–268. doi:10.1080/00207594.2011.631544. PMID 22248342. 
  38. ^ a b Chamorro-Premuzic, Tomas; Fagan, Patrick & Furnham, Adrian (November 2010). “Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social”. Psychology of Aesthetics, Creativity, and the Arts 4 (4): 205–213. doi:10.1037/a0019210. 
  39. ^ Chamorro-Premuzic, Tomas; Swami, Viren & Cermakova, Blanka (22 December 2010). “Individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness”. Psychology of Music 40 (3): 285–300. doi:10.1177/0305735610381591. 
  40. ^ Vuoskoski, Jonna K.; Thompson, William F.; McIlwain, Doris; Eerola, Tuomas (February 2012). “Who enjoys listening to sad music and why?”. Music Perception 29 (3): 311–317. doi:10.1525/mp.2012.29.3.311. 
  41. ^ a b Rawlings, D.; Ciancarelli, V. (1 October 1997). “Music Preference and the Five-Factor Model of the NEO Personality Inventory”. Psychology of Music 25 (2): 120–132. doi:10.1177/0305735697252003. 
  42. ^ Nusbaum, Emily C.; Silvia, Paul J. (7 October 2010). “Shivers and Timbres: Personality and the Experience of Chills From Music”. Social Psychological and Personality Science 2 (2): 199–204. doi:10.1177/1948550610386810. 
  43. ^ Hunter, Patrick G; Schellenberg, Glen E. (20 October 2010). “Interactive effects of personality and frequency of exposure on liking for music”. Personality and Individual Differences 50 (2): 175–179. doi:10.1016/j.paid.2010.09.021. 
  44. ^ Djikic, Maja (August 2011). “The effect of music and lyrics on personality”. Psychology of Aesthetics, Creativity, and the Arts 5 (3): 237–240. doi:10.1037/a0022313. 
  45. ^ a b c Chamorro-Premuzic, Tomas; Gomà-i-Freixanet, Montserrat; Furnham, Adrian; Muro, Anna (1 January 2009). “Personality, self-estimated intelligence, and uses of music: A Spanish replication and extension using structural equation modeling.”. Psychology of Aesthetics, Creativity, and the Arts 3 (3): 149–155. doi:10.1037/a0015342. 
  46. ^ Steele, Anita; Young, Sylvester (2011). “A descriptive study of myers-briggs personality types of professional music educators and music therapists with comparisons to undergraduate majors”. Journal of Music Therapy 48 (1): 55–73. doi:10.1093/jmt/48.1.55. PMID 21866713. 
  47. ^ Avila, Christina; Furnham, Adrian & McClelland, Alastair (9 November 2011). “The influence of distracting familiar vocal music on cognitive performance of introverts and extraverts”. Psychology of Music 40 (1): 84–93. doi:10.1177/0305735611422672. 
  48. ^ Steele, Anita Louise; Young, Sylvester (Spring 2011). “A descriptive study of Myers-Briggs personality types of professional music educators and music therapists with comparisons to undergraduate majors”. Journal of Music Therapy 48 (1): 55–73. doi:10.1093/jmt/48.1.55. PMID 21866713. 
  49. ^ Ladinig, Olivia; Schellenberg, Glenn E. (May 2012). “Liking unfamiliar music: Effects of felt emotion and individual differences”. Psychology of Aesthetics, Creativity, and the Arts 6 (2): 146–154. doi:10.1037/a0024671. 
  50. ^ North, Adrian; Hargreaves, David (1996). “Situational influences on reported musical preference”. Psychomusicology 15: 30–45. doi:10.1037/h0094081. 
  51. ^ McCown, William; Keiser, Ross; Mulhearn, Shea; Williamson, David (1997). “The role of personality and gender in preference for exaggerated bass in music”. Personal Individual Differences 23 (4): 543–547. doi:10.1016/s0191-8869(97)00085-8. 
  52. ^ a b c d e McDermott, Josh; Schultz, Alan (July 13, 2016). “Indifference to dissonance in native Amazonians reveals cultural variation in music perception”. Nature 535 (7613): 547–550. Bibcode: 2016Natur.535…547M Check bibcode: length (help). doi:10.1038/nature18635. PMID 27409816. https://doi.org/10.1038/nature18635. 
  53. ^ a b c Stupacher, Jan; Wood, Guilherme (July 2018). “Effects of cultural background and musical preference on affective social entrainment with music”. Proceedings of ICMPC15/ESCOM10: 438–441. https://www.researchgate.net/publication/327981750. 
  54. ^ a b Demorest, Steven M.; Morrison, Steven J. (June 1, 2016). “The influence of contextual cues on cultural bias in music memory.”. Music Perception 33 (5): 590–600. doi:10.1525/mp.2016.33.5.590. JSTOR 26417336. https://www.jstor.org/stable/26417336. 
  55. ^ Barret, Frederick S.; Grimm, Kevin J.; Robins, Richard W.; Wildschut, Tim; Constantine, Sedikides; Janata, Petr (June 2010). “Music-evoked nostalgia: Affect, memory, and personality”. Emotion 10 (3): 390–403. doi:10.1037/a0019006. PMID 20515227. 
  56. ^ Crowther, R; Durkin, K (1982). “Sex- and age-related differences in the musical behavior, interests and attitudes towards music of 232 secondary school students”. Educational Studies 8 (2): 131–139. doi:10.1080/0305569820080206. 
  57. ^ Schwartz, Kelly; Fouts, Gregory (2003). “Music preferences, personality style, and developmental issues of adolescents”. Journal of Youth and Adolescence 32 (3): 205–213. 
  58. ^ Chamorro-Premuzic, Tomas; Fagan, Patrick; Furnham, Adrian (2010-11). “Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social.” (英語). Psychology of Aesthetics, Creativity, and the Arts 4 (4): 205–213. doi:10.1037/a0019210. ISSN 1931-390X. http://doi.apa.org/getdoi.cfm?doi=10.1037/a0019210. 
  59. ^ a b Rentfrow, Peter J.; Gosling, Samuel D. (2003). “The do re mi's of everyday life: The structure and personality correlates of music preferences.” (英語). Journal of Personality and Social Psychology 84 (6): 1236–1256. doi:10.1037/0022-3514.84.6.1236. ISSN 1939-1315. http://doi.apa.org/getdoi.cfm?doi=10.1037/0022-3514.84.6.1236. 
  60. ^ Rentfrow, Peter J.; Goldberg, Lewis R.; Levitin, Daniel J. (June 2011). “The Structure of Musical Preferences: A Five-Factor Model”. Journal of Personality and Social Psychology 100 (6): 1139–1157. doi:10.1037/a0022406. ISSN 0022-3514. PMC 3138530. PMID 21299309. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3138530/. 
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