HONG KONG — The five shortlisted novels of what will be the last Man Asian Literary Prize were announced last evening at the Man Group’s offices here. The British investment firm will end its support of Asia’s most prominent literary prize after the final award is given at a black-tie dinner in March.
As usually happens, the shortlist announcement drew about two dozen people from the city’s relatively small English-language literary scene: a few publishers, agents and journalists mostly from the foreign or English-language press. With rather less fanfare than the Man Booker gets, we stood around a screen to watch Maya Jaggi, a literary critic and head of the judging panel, read the list via a video link from London, from what looked like an office cubicle.
Man’s involvement lent clout to the prize when it was introduced in Hong Kong in 2007 — it is often incorrectly referred to as the Asian Booker — and the $30,000 purse is extraordinarily generous in a region without many literary awards. More importantly, it gave global exposure to Asian authors writing in Asian languages. The 2011 winner, “Please Look After Mom” by the South Korean novelist Kyung-sook Shin, went on to sell two million copies worldwide.
Initially, the Man Asia accepted unpublished manuscripts (which it no longer does) and focused on unearthing unknown regional talent, like the Filipino writer Miguel Syjuco in 2008.
But as the prize grew in prominence, so have its recipients, causing more crossover with international awards. The Guardian called this year the “Booker re-match,” as two of the works shortlisted for the Man Asia – “The Garden of Evening Mists” by the Malaysian author Tan Twan Eng and “Narcopolis,” a debut novel by the Indian poet Jeet Thayil – were also shortlisted for the Man Booker.
Another author shortlisted for the Man Asia, Orhan Pamuk, was given the 2006 Nobel Prize in Literature. His submission, “Silent House,” is a 30-year-old Turkish-language novel that had only recently been published in English. Rounding out the short list are “Between Clay and Dust” by the Pakistani author Musharraf Ali Farooqi and “The Briefcase” by Hiromi Kawakami of Japan.
All but one – “Between Clay and Dust,” from the Delhi-based Aleph Book Company – are from Western publishers.
The prize’s organizers say that they have been in talks with potential new sponsors for months, after it was announced in October that Man would no longer support it.
“We have decided to concentrate our arts sponsorship on the world-leading Man Booker prize, where our support is about to go into its twelfth year,” David Waller, a Man Group spokesman, said at the time.
A new title sponsor is expected to be announced in April, and most chatter has been over whether it will be an Asian organization this time. It brings up a larger question:
Does Asia’s literary scene still need Western financing, publishing houses and publicity to succeed?