メタルコア
出典: フリー百科事典『ウィキペディア（Wikipedia）』 (2023/05/03 16:53 UTC 版)
- ^ Blush, American Hardcore, part 2, "Thirsty and Miserable", p. 63, 66.
- ^ Andersen, Mark and Mark Jenkins (2003). Dance of Days: Two Decades of Punk in the Nation's Capital. "Positive Mental Attitude". p. 27. Akashic Books. ISBN 1-888451-44-0.
- ^ Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. p. 5. ISBN 1-901447-24-3.
- ^ Blush, "Hits from Hell", American Hardcore, p. 204.
- ^ Blush, p. 115.
- ^ Felix von Havoc, Maximum Rock'n'Roll #198. Access date: June 20, 2008.
- ^ Blush, p. 193.
- ^ Christe, Ian: Sound of the Beast: The Complete Headbanging History of Heavy Metal (2003), p. 184.
- ^ Blush, p. 186.
- ^ Blush, p. 188.
- ^ Blush, p. 189.
- ^ Blush, p. 189. "Cro-Mags were the first band to attract both Skinheads and Metalheads audiences; their music at the point where Hardcore nihilism met Metal power."
- ^ Blush, p. 193. "Howie Abrams (NYHC scene): Mosh style was slower, very tribal – like a Reggae beat adapted to Hardcore. (...) It was an outbreak of dancing with a mid-tempo beat driven by floor tom and snare."
- ^ Garage, Inc. at Allmusic.
- ^ 行川和彦『パンク・ロック／ハードコア史』リットーミュージック、2007年。
- ^ “Blood Runs Deep: 23 Bands Who Shaped the Scene”. Alternative Press. (2008年7月7日). pp. 110, 118
- ^ * McClard, Kent. Record Reviews Hogan's Heroes - Built To Last 12 |quote="Hailing from New Jersey, Hogan's Heroes play scathing hardcore with extremely metallic guitar riffing, quality bass work, a splattering of machine-gun drumming, and sharp singing. Normally, I would cringe at the metal guitar, but it is done so well and with such crisp clarity that I can't object. In fact it turns out to be really explosive sounding. At times they remind me of a metallic version of old Justice League on speed . Hot! - Kent". No Answers, November 1988, p. 30.
- ^ * McClard, Kent. Hogan's Heroes |quote="Hogan's Heroes is a four piece that plays a speedy type of clean metallic guitar orientated hardcore.Their approach is unique and up-beat. Attitude wise, they are right on. Built To Last is more than an acetylene burst of energy. It is a positive affirmation of the greatness of the alternative hardcore scene.". No Answers, November 1988, p. 13, 14, 15, 16.
- ^ “All Out War Biography”. Metal Inside. 2012年7月11日閲覧。
- ^ a b c d Ian Glasper, Terrorizer no. 171, June 2008, p. 78, "here the term (metalcore) is used in its original context, referencing the likes of Strife, Earth Crisis, and Integrity (...)".
- ^ a b c Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223.
- ^ “Kill Your Stereo - Reviews: Shai Hulud - Misanthropy Pure”. 2014年6月23日閲覧。 “Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band's earliest release is widely credited with influencing an entire generation of musicians”.
- ^ “Shai Hulud - Hearts Once Nourished with Hope and Compassion Review”. Sputnikmusic. 2012年7月11日閲覧。 “Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore. So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them, because of how perfect they blend hardcore and metal.”
- ^ “In at the Deep End Records”. 2014年6月23日閲覧。 “Regardless of whether or not you liked Shai Hulud, it is undeniable that Hearts Once Nourished with Hope and Compassion was an oft-imitated and highly influential release in the mid-to-late nineties.”
- ^ a b c Ross Haenfler, Straight Edge: Clean-living Youth, Hardcore Punk, and Social Change. Rutgers University Press. ISBN 0-8135-3852-1. p. 87-88.
- ^ * Kisg, Attila. "Hogan's Heroes - Jersey Straight Edge" |quote="I was always into what I feel is real metal. Early Venom, early (1979) Accept, etc. etc. , and early on in "Impossible Task"(1983) I played no leads or metal-related guitar parts, keeping the style more true to the early vibe. Then as I heard Battalion of Saints, which was after I heard Bad Brains doing leads and around the same time I heard Toxic Reasons I started to feel if you had a point to make play a lead other wise dont bother with it. Thats why I played metal styles with hardcore.". Honest For Truth, June 2008, p. 20, 21, 22, 23, 24, 25, 26, 27.
- ^ "It was this simple formula that's single-handedly responsible for every band you hear combining heavy metal and hardcore today." “Blood Runs Deep: 23 Bands Who Shaped the Scene”. Alternative Press. (2008年7月7日). p. 110
- ^ Hatebreed cites Entombed and Bolt Thrower. Q&A with Jamey Jasta, Miami New Times, May 27, 2008. Access date: June 22, 2008.
- ^ Karl Buechner of Earth Crisis cites Napalm Death, Bolt Thrower, and Obituary as prime influences. Mudrian also discusses Converge and Bloodlet and their relationship to death metal. See Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223.
- ^ Gabriel Cardenas Salas, "Blasts from the Past", Terrorizer 180, February 2009, p. 96.
- ^ “Exclusive Interview with Shai Hulud Guitarist Matt Fox”. 2008年10月9日閲覧。 “When we used to joke with the term, it was just a clever (or not so clever) way of describing a metallic hardcore, metal-influenced hardcore, or hardcore-influenced metal band.”
- ^ J. Bennett, "Converge's Jane Doe", Revolver, June 2008.
- ^ a b “Into the void: Stylus Magazine's Beginner's Guide to Metal - Article - Stylus Magazine”. Stylus Magazine. 2009年10月2日時点のオリジナルよりアーカイブ。2010年5月17日閲覧。
- ^ Rivadavia, Eduardo. “Overcome review”. Allmusic. 2012年2月17日閲覧。 “Overcome offers very dependable melodic metalcore in the spirit of All That Remains' albums past, without succumbing to outright stagnation.”
- ^ a b c D. Taylor, Jason. “Suicide Notes and Butterfly Kisses review”. Allmusic. 2008年6月24日閲覧。 “Atreyu's debut album, Suicide Notes and Butterfly Kisses, is an invigorating foray into melodic metalcore in the vein of Darkest Hour, Poison the Well, and Eighteen Visions.”
- ^ "Taste of Chaos", Revolver, June 2008, p. 110. "This is the Rockstar Taste of Chaos Tour, a night when heavier melodic-metalcore bands like Atreyu and Avenged Sevenfold intend to position themselves as the next generation of bands to actually pack arenas (...)".
- ^ Apar, Corey. “Bullet for My Valentine”. Allmusic. 2011年11月8日閲覧。
- ^ Phil Freeman (2010年3月16日). “Alternative Press | Reviews | Bury Tomorrow - Portraits”. Alternative Press. 2012年7月9日閲覧。 “If you're wondering whether they bring anything unique or unexpected to the table, the answer is no. Is Portraits a pleasurable enough melodic metalcore album while it's playing? Absolutely.”
- ^ “August Burns Red - Constellations”. Way Too Loud! (2012年7月15日). 2015年10月19日時点のオリジナルよりアーカイブ。2012年7月15日閲覧。
- ^ “Eternal Closure”. Sputnik. 2012年1月2日閲覧。
- ^ “August Burns Red Burns Red Presents Sleddin' Holiday Album”. Bradley Zorgdrager (2012年10月9日). 2012年10月9日閲覧。
- ^ Metal Injection, August 28, 2007. Access date: June 24, 2008.
- ^ “It's Through the Approach”. El Paisano (2007年9月12日). 2009年1月14日時点のオリジナルよりアーカイブ。2008年6月24日閲覧。
- ^ “Suicide Notes and Butterfly Kisses review”. mp3.com. 2009年2月12日時点のオリジナルよりアーカイブ。2009年2月12日閲覧。
- ^ Dan Epstein, "The Brewtal Truth", Revolver, November 2004, p. 65.
- ^ “Converge biography”. Rockdetector.com. 2007年8月11日時点のオリジナルよりアーカイブ。2007年8月23日閲覧。
- ^ Bowar, Chad. “Botch - We Are the Romans Review”. About.com. 2012年7月11日閲覧。
- ^ “Botch”. San Francisco Bay Guardian. 2009年2月12日時点のオリジナルよりアーカイブ。2012年7月11日閲覧。
- ^ “Mathcore band the 'Dillinger Escape Plan' visit NZ”. TV3. オリジナルの2008年10月17日時点におけるアーカイブ。 2012年7月11日閲覧。
- ^ “Events for this weekend in New York (page 2 of 2)”. NY Daily News 2012年7月11日閲覧。
- ^ “アーカイブされたコピー”. 2009年2月12日時点のオリジナルよりアーカイブ。2009年2月12日閲覧。
- ^ “Fear Before the March of Flames Bio”. The Gauntlet. 2008年8月3日閲覧。 “Drawing inspiration from the intricacies of Converge, the varied time signatures of Botch and the temperament of The Blood Brothers, they produced a distinctive combination of hardcore, metal and indie rock that was eclectic, fresh and frenetic.”
- ^ a b “lambgoat.com”. 2012年7月11日閲覧。 “This is deathcore. This is what happens when death metal and hardcore, along with healthy doses of other heavy music styles, are so smoothly blended...”
- ^ Lee, Cosmo. “metalinjection.net”. 2008年11月11日閲覧。 “...All Shall Perish... Alienacja (Poland), Despised Icon (Montreal) and Whitechapel (Knoxville, TN)... They're all textbook 'deathcore', fusing death metal and hardcore punk.”
- ^ Rivadavia, Eduardo. “Heaven Shall Burn”. Allmusic. 2008年5月31日閲覧。 “Munich, Germany's Heaven Shall Burn specialize in highly controversial and politicized death metal fused with hardcore; a hybrid style often referred to as death-core.”
- ^ Lee, Cosmo. “Doom”. Allmusic. Rovi Corporation. 2011年3月25日閲覧。
- ^ Marsicano, Dan. “Rose Funeral - 'The Resting Sonata'”. About.com. 2011年10月7日閲覧。
- ^ Lee, Cosmo (September 2009). “Suffocation reclaim their rightful place as kings of death metal”. Decibel Magazine #059. "One of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore".
- ^ a b c Wiederhorn, Jon (September 2008). “Dawn of the Deathcore”. Revolver (Future US) (72): pp. 63–66. ISSN 1527-408X 2009年7月3日閲覧。.
- ^ Sharpe-Young, Garry. “Knights of the Abyss”. MusicMight. 2009年9月18日時点のオリジナルよりアーカイブ。2009年7月10日閲覧。
- ^ “Bring Me The Horizon - Count Your Blessings”. Discogs. 2021年2月25日閲覧。
- ^ Henderson, Alex. “Desolation of Eden review”. Allmusic. Macrovision. 2010年4月4日閲覧。
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